Browse Title Index


 
Issue Title
 
Vol 2, No 1 (2016): Catharsis, Ancient and Modern 'Catharsis'. From Lessing's Moral Purification to Goethe's Purity of Form Abstract   PDF
Sotera Fornaro
 
Vol 4, No 1 (2018): Transitions A Double Dovere/Diletto: Using Alessandro Serpieri’s Translations for Bilingual Productions of Shakespeare’s Plays Abstract   PDF
Eric Nicholson
 
Vol 4, No 1 (2018): Transitions A Momaria and a Baptism: A Note on Beginning and Ending in the Globe Merchant of Venice (2015) Abstract   PDF
Roberta Mullini
 
Vol 4, No 1 (2018): Transitions À propos of King Lear in the New Italian Translation and Edition by Alessandro Serpieri (Venezia, Marsilio, 2018) Abstract   PDF
Claudia Corti
 
Vol 3, No 1 (2017) About Information Sources in Aeschylus’ Agamemnon and Choephori Abstract   PDF
Ombretta Cesca
 
Vol 2, No 2 (2016): Diegesis and Mimesis "All my plots and purposes": Staged Diegesis in Shakespearean Drama Abstract   PDF
Alessandra Squeo
 
Vol 2, No 2 (2016): Diegesis and Mimesis Altered Pasts: Mimesis/Diegesis in Counterfactual Stage Worlds Abstract   PDF
Malgorzata Sugiera
 
Vol 3, No 2 (2017) Arab Arts Focus – Edinburgh: Review Abstract   PDF
Raphael Cormack
 
Vol 2, No 2 (2016): Diegesis and Mimesis Between Mimesis and Diegesis in Sixteenth-Century Italy: the Case of Girolamo Parabosco Abstract   PDF
Flavia Palma
 
Vol 2, No 2 (2016): Diegesis and Mimesis Between the One and the Nine: Counting and Telling in Hamlet and The Winter’s Tale Abstract   PDF
Luke Wilson
 
Vol 2, No 1 (2016): Catharsis, Ancient and Modern Catharsis, Music, and the Mysteries in Aristotle Abstract   PDF
Andrew L. Ford
 
Vol 1, No 1 (2015): The Chorus in Drama Chorus and Chorality in Early Modern English Drama Abstract   PDF
Silvia Bigliazzi
 
Vol 3, No 1 (2017) Collaborating with Aeschylus (and Sophocles and Euripides and a Director and Cast) Abstract   PDF
Sophie Mills
 
Vol 4, No 1 (2018): Transitions Collaborating with Euripides: Actors and Scholars Improve the Drama Text Abstract   PDF
Guido Avezzù
 
Vol 2, No 1 (2016): Catharsis, Ancient and Modern Comedy, Catharsis, and the Emotions: From Aristotle to Proclus Abstract   PDF
Matt Cohn
 
Vol 2, No 2 (2016): Diegesis and Mimesis Drama and Historiography: the Interaction between Diegesis and Mimesis in Herodotus and Thucydides Abstract   PDF
Gherardo Ugolini
 
Vol 1, No 2 (2015): Short Forms Edward Gordon Craig and the “smallest drama in the world” Abstract   PDF
Didier Plassard
 
Vol 4, No 1 (2018): Transitions Eros in Shakespeare Abstract   PDF
Keir Douglas Elam, Alessandro Serpieri
 
Vol 4, No 1 (2018): Transitions Felicia Hemans’s History in Drama: Gender Subjectivities Revisited in The Vespers of Palermo Abstract   PDF
Lilla Maria Crisafulli
 
Vol 1, No 2 (2015): Short Forms Forms of Short Modernist-Symbolist Theatre in Spain Abstract   PDF
Javier Cuesta Guadaño
 
Vol 1, No 1 (2015): The Chorus in Drama Friedrich Schiller: Über den Gebrauch des Chors in der Tragödie / On the Use of the Chorus in Tragedy Abstract   PDF
Guido Avezzù, Stephen Halliwell
 
Vol 1, No 1 (2015): The Chorus in Drama General Editors' Preface Abstract   PDF
Guido Avezzù, Silvia Bigliazzi, Alessandro Serpieri
 
Vol 4, No 1 (2018): Transitions Hamlet and the Android: Reading Emotions in Literature Abstract   PDF
Angela Locatelli
 
Vol 4, No 1 (2018): Transitions Hamlet: Origin Displaced Abstract   PDF
Rosy Colombo
 
Vol 1, No 2 (2015): Short Forms Harold Pinter’s Early Revue Sketches Abstract   PDF
Mark Taylor-Batty
 
Vol 3, No 1 (2017) Hymnological Dramaturgy as Escape from Ideology in Horton Foote Abstract   PDF
Robert William Haynes
 
Vol 3, No 2 (2017) Interrogating Cuban Womanhood in Norge Espinosa Mendoza’s La virgencita de bronce Abstract   PDF
Katherine Ford
 
Vol 4, No 1 (2018): Transitions Intervista a Prospero Interview with Prospero Abstract   PDF
Pino Colizzi, Alessandro Serpieri
 
Vol 1, No 1 (2015): The Chorus in Drama Introduction Abstract   PDF
Guido Avezzù
 
Vol 1, No 2 (2015): Short Forms Introduction Abstract   PDF
Nicola Pasqualicchio
 
Vol 2, No 1 (2016): Catharsis, Ancient and Modern Introduction Abstract   PDF
Gherardo Ugolini
 
Vol 2, No 2 (2016): Diegesis and Mimesis Introduction Abstract   PDF
Silvia Bigliazzi
 
Vol 3, No 2 (2017) Iphigenia Taurica and the Narrative Artificiality of Euripides’ Prologues Abstract   PDF
Marco Duranti
 
Vol 4, No 1 (2018): Transitions Is Hamlet’s Madness True or Faked? Abstract   PDF
Guido Paduano
 
Vol 4, No 1 (2018): Transitions Italian alternative Shakespeares. Carmelo Bene’s appropriation of Hamlet Abstract   PDF
Fernando Cioni
 
Vol 1, No 2 (2015): Short Forms Just two cues: Achille Campanile’s upside-down tragedy Abstract   PDF
Elisa Martini
 
Vol 3, No 2 (2017) Laughing Bodies, Bodies in Pain: How Humour Approaches Torture in Two Works by Eduardo Rovner Abstract   PDF
Marin Laufenberg
 
Vol 1, No 1 (2015): The Chorus in Drama Lyric Genre Interactions in the Choruses of Attic Tragedy Abstract   PDF
Andreas Bagordo
 
Vol 3, No 2 (2017) Macbeth’s Language Abstract   PDF
David Schalkwyk
 
Vol 1, No 1 (2015): The Chorus in Drama Men or Animals? Metamorphoses and Regressions of Comic Attic Choruses: the Case of Aristophanes's Wealth Abstract   PDF
Olimpia Imperio
 
Vol 3, No 1 (2017) Minor Characters in the NT Medea Abstract   PDF
Denise Joan Varney
 
Vol 2, No 1 (2016): Catharsis, Ancient and Modern Miraculous Organ: Shakespeare and 'Catharsis' Abstract   PDF
Thomas C.K. Rist
 
Vol 4, No 1 (2018): Transitions Nashe's (Self-)Portrait of a Town Abstract   PDF
Valerio Viviani
 
Vol 2, No 1 (2016): Catharsis, Ancient and Modern Nietzsche, Tragedy, and the Theory of Catharsis Abstract   PDF
James I. Porter
 
Vol 3, No 2 (2017) "Noble in body and judicious in mind like Homer": Enacting Richard II Abstract   PDF
Dominique Goy-Blanquet
 
Vol 3, No 1 (2017) Notes on Ifigenia, Liberata at the Piccolo Teatro Abstract   PDF
Marco Duranti
 
Vol 1, No 1 (2015): The Chorus in Drama Of Men and Ghosts: Delmore Schwartz’s Re-visitation of the Greek Chorus Abstract   PDF
Alessandra Calanchi
 
Vol 4, No 1 (2018): Transitions Onstage/Offstage (Mis)Recognitions in The Winter’s Tale Abstract   PDF
Silvia Bigliazzi
 
Vol 4, No 1 (2018): Transitions Ouverture Abstract   PDF
Alessandro Serpieri
 
Vol 3, No 2 (2017) Plauti “somnium narratur”: Dreams in Plautus’ Comedy Abstract   PDF
Vasiliki Kella
 
Vol 4, No 1 (2018): Transitions Preface Abstract   PDF
Silvia Bigliazzi
 
Vol 2, No 1 (2016): Catharsis, Ancient and Modern Profit, Pleasure, and Purgation - Catharsis in Aristotle, Paolo Beni and Italian Late Renaissance Poetics Abstract   PDF
Brigitte Kappl
 
Vol 4, No 1 (2018): Transitions Qualche parola per Sandro A Few Words for Sandro Abstract   PDF
Tomaso Kemeny
 
Vol 1, No 2 (2015): Short Forms Repetition as Zoom Effect. A Mechanism of Short Writing Played at the Level of Words Abstract   PDF
Alexandre Koutchevsky
 
Vol 3, No 2 (2017) Rhythm for Situational Contexts: The Case of Ancient Greek Epic Performance Abstract   PDF
Ronald Blankenborg
 
Vol 4, No 1 (2018): Transitions Shakespeare in One Act. Looking for Ophelia in the Italian Wartime Context Abstract   PDF
Maria Del Sapio Garbero
 
Vol 1, No 2 (2015): Short Forms Shorter and Shorter: Samuel Beckett’s Challenge to the Theatre Abstract   PDF
Laura Peja
 
Vol 2, No 2 (2016): Diegesis and Mimesis Sophoclean Beckett in Performance Abstract   PDF
Barry Allen Spence
 
Vol 1, No 2 (2015): Short Forms Ten years of Short Theatre. Rome and its ‘short’ Festival Abstract   PDF
Simona Brunetti
 
Vol 3, No 1 (2017) The Ambiguous Home of Life and Death: The Symbolic Uses of the Skene and the Female in Aeschylus' Agamemnon. Abstract   PDF
Rebecca Elizabeth McNamara
 
Vol 3, No 1 (2017) The Architecture of Memory: The Case of Euripides’ Iphigenia in Aulis Abstract   PDF
Maria Gerolemou, Magdalena Zira
 
Vol 1, No 1 (2015): The Chorus in Drama The Chorus in Early Twentieth-Century Spanish Theatre Abstract   PDF
Paola Ambrosi
 
Vol 1, No 1 (2015): The Chorus in Drama The Chorus’s "moral effect" in Italian Opera Abstract   PDF
Francesco Bissoli
 
Vol 3, No 1 (2017) The Discreet Charm of Apocalypse: Caryl Churchill’s Escaped Alone at the Royal Court Abstract   PDF
Carlo Vareschi
 
Vol 4, No 1 (2018): Transitions The Duchess of Malfi: When a Woman-Prince Can Talk Abstract   PDF
Clara Mucci
 
Vol 3, No 2 (2017) The Extant Rhesus and Its Two Supplementary Prologues: A Question of Affinity Abstract   PDF
Nikos Manousakis
 
Vol 2, No 2 (2016): Diegesis and Mimesis The Frame Story in Robert Browning’s Balaustion’s Adventure Abstract   PDF
Elena Rossi Linguanti
 
Vol 2, No 1 (2016): Catharsis, Ancient and Modern The Pathological Interpretation of Catharsis Abstract   PDF
Martin Vöhler
 
Vol 3, No 1 (2017) The Play about Common Trade and Play about Empty Purse: Cornelis Everaert’s Prequels to Elckerlijc/Everyman? Abstract   PDF
Mandy Lowell Albert
 
Vol 3, No 2 (2017) The Seven at War from Thebes to Aleppo. On Two Performances at the Greek Theatre of Siracusa Abstract   PDF
Gherardo Ugolini
 
Vol 4, No 1 (2018): Transitions "The trouble with tragedy is the fuss it makes": Reading Beckett's Not I as the (non)End of Tragedy Abstract   PDF
Carla Locatelli
 
Vol 2, No 1 (2016): Catharsis, Ancient and Modern Theatrical Catharsis and Its Therapeutic Effect. Catharsis in Vienna at the Turn of the Century Abstract   PDF
Daniela M. Schönle
 
Vol 2, No 1 (2016): Catharsis, Ancient and Modern Theophrastus on Catharsis and the Need for Release from the Evils Due to Emotions Abstract   PDF
Elisabetta Matelli
 
Vol 1, No 1 (2015): The Chorus in Drama Theory and Musical Performance of the Chorus in Sixteenth-Century Italy. A Case Study: Vicenza 1585. Abstract   PDF
Donatella Restani
 
Vol 2, No 2 (2016): Diegesis and Mimesis Transmorphisms in Sarah Kane’s Cleansed and Laura Wade’s Breathing Corpses Abstract   PDF
Zornitsa Dimitrova
 
Vol 3, No 1 (2017) Voices at the Margins of Victimhood: Jorge Díaz’s Náufragos de la memoria Abstract   PDF
Arne Romanowski
 
Vol 2, No 2 (2016): Diegesis and Mimesis “It is not a small thing to defeat a king”. The Servant/Messenger’s Tale in Euripides’ Electra Abstract   PDF
Guido Avezzù
 
Vol 3, No 2 (2017) “La terra in palcoscenico”: Playing the Common Grounds of Aeschylus and Shakespeare Abstract   PDF
Eric Nicholson
 
Vol 1, No 1 (2015): The Chorus in Drama “Sordid particulars”: Deixis in the Chorus of Murder in the Cathedral Abstract   PDF
Maria Serena Marchesi
 
Vol 1, No 2 (2015): Short Forms “… worth using twice”? Making a Short Story Long. Tom Stoppard’s Two Early One-Acters Abstract   PDF
Carlo Vareschi
 
1 - 80 of 80 Items


ISSN: 2421-4353